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Top Features
| professional small-capsule condenser microphones > flexible applications |
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| 3/4”, 6-micron Mylar evaporated gold diaphragm > sensitive and accurate |
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| solid brass backplate > natural, transparent sound |
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| Class-A FET electronics > low distortion |
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| switchable -10dB pad and 80Hz high-pass filter > adaptable |
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| includes mounting bracket for stereo miking applications > drum overheads, acoustic guitar, piano, rooms and more |
The Pulsar™ II Matched Pair delivers a boxed set of Pulsar II small-capsule condenser microphones that are within +/-1dB of each other—from 20Hz to 20kHz. Designed in the USA by the creators of the multi-award-winning Sputnik™, the distinctive-sounding Pulsar II is hand assembled in small quantities to insure peak performance. Featuring a solid-brass backplate and other top-quality components, these modern classics breathe new life into stereo miking applications including drum overheads, acoustic guitar, piano, and room recording.
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 The Pulsar™ II Matched Pair delivers a boxed set of Pulsar II small-capsule condenser microphones that are within +/-1dB of each other—from 20Hz to 20kHz. Designed in the USA by the creators of the multi-award-winning Sputnik™, the distinctive-sounding Pulsar II is hand assembled in small quantities to insure peak performance. Featuring a solid-brass backplate and other top-quality components, these modern classics breathe new life into stereo miking applications including drum overheads, acoustic guitar, piano, and room recording.
Ideal for:
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Grand piano (classical) |
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Grand piano (jazz/pop/rock) |
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Acoustic guitar |
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Drum overheads |
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Room miking |
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Violin |
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Viola |
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Cello |
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Flute and piccolo |
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Oboe and English horn |
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Vibraphone |
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Marimba and xylophone |
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Choir (stereo distant) |
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Congas (including Tumba and Quinto) |
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Bongos | |
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Flexible Features
 The Pulsar II easily adapts to many recording and live situations. The 12dB/octave 80Hz high-pass filter reduces low-frequency rumble and the potential for overloading mic preamps with low-frequency signals. The -10dB switchable attenuation pad and thermal diaphragm treatment also allow it to handle high SPLs for its class. And the included t-shaped stereo mounting bracket facilitates XY and ORTF recording right out of the box.
Also great on:
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Voice |
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Tom toms |
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Double bass |
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Tabla |
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Clarinet |
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Bassoon | | | | |
Full Features
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| professional small-capsule condenser microphones |
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| 3/4”-diameter, 6-micron Mylar evaporated gold diaphragm |
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| thermal diaphragm treatment yields 2dB SPL boost over original model |
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| solid brass backplate |
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| solid brass body |
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| Class-A FET electronics |
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| switchable -10dB pad |
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| switchable 80Hz high-pass filter (12dB/octave) |
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| wooden storage box houses microphones, windscreen and clip |
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| includes metal t-shaped mounting bracket for stereo recording |
Specifications
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| diaphragm: |
¾”-diameter, 6-micron Mylar |
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| backplate: |
solid brass |
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| electronics: |
Class-A FET (transformerless) |
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| frequency response: |
20Hz-20kHz |
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| sensitivity: |
-37dB @ 1kHz, 0dB=1V/Pa (13.8 mV/Pa) |
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| max SPL: |
134dB at 0.5% THD, 144dB with -10dB pad |
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| equivalent noise: |
16dBA |
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| pattern: |
cardioid |
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