(eq. sampler synthesizer)
 
     ACOUSTIC ENERGY
     ALBION - WMI
     ALVA
     APOGEE
     APOGEE LIGHTING
     AUDIOLAB
     BEHRINGER
     BLACK RHODIUM
     BOSPHORUS CYMBALS
     CHORD COMPANY
     CME
     COEF
     DAVE SMITH
     F.A.L. LIGHTING
     FRONTIER DESIGN
     GHOST ACOUSTICS
     HAD AUDIOLAB
     HI FI KOMPLETI
     HOSA TECHNOLOGY
     JJ ELECTRONICS
     KLOTZ CABLES
     M-AUDIO
     NAD
     NAGAOKA
     NATIVE INSTRUMENTS
     ON STAGE STANDS
     PARASOUND
     PEARL
     PHONIC
     PIONEER PRO DJ
     QUAD
     RAZGLASNI KOMPLETI
     RME
     ROGER LINN
     SE ELECTRONICS
     SHERWOOD
     SOUND NEWS
     TANNOY STUDIO
     ULTRASONE
     WHARFEDALE HIFI
     WHARFEDALE PRO
     ZOOM
 

 

 



RME
FIREFACE UCX



 

The UCX provides 8 analog I/O in a very flexible combination:

8 Inputs. On the rear: 4 balanced TRS. On the front: 2 XLR inputs with Mic/Line preamps (65 dB Gain) and 2 Hi-Z capable TRS Line/Instrument inputs..

8 Outputs . On the rear: 6 balanced TRS outputs. On the front: One additional TRS stereo phones (playback channels 7/8). The high power phones output offers high volumes even with high-impedance headphones.

Sound Quality . Equipped with a new 2011 A/D and D/A high-performance converter design all I/Os operate at up to 192 kHz. The AD/DA conversion supersedes the outstanding technical specifications of the Fireface UC/400 with an impressive 114 dBA dynamic range on both record and playback. The advanced multi-bit converter architecture guarantees excellent S/N and THD specs across a wide analog level range. In the best RME tradition and product philosophy, the UCX converters and preamps have no characteristic "sound" of their own. They neither add nor remove anything, but capture the original signal just as it is.

Due to its efficient jitter reduction, RME's superior SteadyClockTM finalizes the state-of-the-art AD/DA conversion, even when clocking to an external digital source.

Low Latency Converters . All analog I/Os use a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate. These values are about a quarter of the Fireface UC/400 (43/28), and even outperform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations, and in computer-based recording studios. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analog digital monitoring into real analog-style monitoring!

Professional Level Support . A great converter needs to support the common studio levels for the perfect adaptation to other analog equipment without loosing headroom. Like all other RME devices the UCX supports the common professional studio levels: -10 dBV, +4 dBu, Lo / HiGain. The software-controlled reference levels, realized discretely in the analog domain, ensure highest dynamic range and fidelity.
 - Inputs 3 to 8: -10 dBV, +4 dBu and Lo Gain (adjustable in two groups - channels 3/4 and 5 to 8).
 - Outputs 1 to 8: -10 dBV, +4 dBu and Hi Gain (adjustable in two groups - channels 1 to 6 and 7/8).

All outputs can be used for ASIO Direct Monitoring purposes.

 


Potrošački krediti:  11517,77 kn
s got. popustom: 10365,99 kn
Bez PDV-a: 8292,79 kn

 
ZOOM
ZOOM
WHARFEDALE HIFI
ACOUSTIC ENERGY
NAD
BLACK RHODIUM
PEARL
PEARL
ACOUSTIC ENERGY
BLACK RHODIUM

 
Kontakt
MALOPRODAJA
Nehajska 59
HR-10000 Zagreb
Radno vrijeme:
Pon-pet:
9:00 - 18:00
Sub: 9:00 - 14:00
 
Tel : 01 5499-725
Fax: 01 5499-726
Email: prodaja@provox.hr
----------------------------
 
VELEPRODAJA
Nehajska 59
HR-10000 Zagreb
Radno vrijeme:
Pon - Pet: 9:00 - 17:00
 
Tel: 01 5499-725
Fax: 01 5499-726
veleprodaja@provox.hr

Provox Multimedia
Provox Games
Studio Šišmiš
Demobands.com