Xone:V6 is an echo of the earliest days of pro audio, when idealistic individuals created outstanding products free from cost or time constraints. Such creations were never cheap. Nor did they sell in their thousands. But they did become landmark design classics.
Our mission for Xone:V6 was simply to build the highest quality club mixer ever. We painstakingly refined our signal paths to optimise audio transparency. Hundreds of the best quality components were evaluated and of these only the very finest were approved for the project. The result is a mixer that gives great recordings the space and freedom to express their full warmth and clarity.

Technical Specification
CH1-6 Line Inputs
RCA L and R connectors
Level variable from off to +10dB gain (+6, 0dB options)
Impedance >10k ohm
CH1-4 RIAA Inputs
RCA phono L and R connectors
RIAA equalisation (line input option)
Nominal level 7-100mV
Impedance 47k ohms / 330pF
Channel Inserts
RCA phono connectors (jumper plugs provided)
Operating level 0dBu
Impedance Send <75 ohms, Return >10k ohm
Microphone Input
Balanced XLR Pin2 hot
Level variable from off to +60dB max gain
Impedance 2k ohm
CMRR -70dB 100Hz to 10kHz
+30V phantom power enable option
Microphone Insert
TRS jack Tip = send, Ring = return
Operating level 0dBu
Impedance send <75 ohms, Return >10k ohm
Master Output
Balanced XLR (for balanced connection only)
TRS jack (for unbalanced connection)
XLR operating level +4dBu (0dBu option)
TRS operating level -2dBu
Impedance <110 ohm
Master Insert
TRS jack Tip = send, Ring = return
Operating level -2dBu
Impedance Send <110 ohms, Return >5k ohm
Booth Output
Balanced XLR (for balanced or unbalanced connection)
Operating level +4dBu
Impedance <75 ohm
Record Output
RCA phono L and R connectors
Operating level -10dBV (-8dBu)
Impedance <500 ohm
Cue Input
TRS jack Tip = L, Ring = R
Operating level 0dBu
Impedance >10k ohm
Headphones Output
TRS jack Tip = L, Ring = R
30 to 600 ohms headphones, 70 ohms recommended
Power 480mW into 70 ohms, 150mW into 600 ohms
Channel Hi-Pass Filter
12dB per octave
Variable frequency 30Hz to 600Hz
On/off toggle switch
Microphone EQ
Vocal optimised LF and HF shelves
HF +/-15dB 2.5kHz shelf
LF +/-15dB 120Hz shelf
Booth EQ
Music optimised LF and HF shelves
HF +/-6dB 10kHz
LF +/-6dB 100Hz
Master EQ
Music optimised LF and HF shelves
HF +/-6dB 10kHz
LF +/-6dB 80Hz
Cue EQ
LF/HF cut/lift tone control
+ = HF lift / LF cut
- = LF lift / HF cut
Frequency response
Line in to Master out +0/-0.5dB 10Hz to 30kHz
...............................+0/-1dB 8Hz to 40kHz
Maximum Output Level
Master output ......... +28dBu into >10k ohm
.............................. +22dBu into >2k ohm
TRS output ............. +20dBu into >2k ohm
Booth output ........... +27dBu into >2k ohm
Record output ......... +14dBu into >5k ohm
Headroom
Channels ...... +26dB
Mix .............. +24dB
Distortion THD+N
Master output .......... <0.01% @ 0dBu
............................... <0.03% @ +10dBu
Valve CH5, 6 ........... <0.1% @ 0dBu (2nd harmonic)
................................<0.4% @ +10dBu (“)
Crosstalk Measured 100Hz to 10kHz
Rotary fader shutoff <-90dB
Inter-channel <-90dB
LR separation <-64dB
Headphones to mix <-90dB