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Exceptional performance for exceptional performers Exacting detail, brilliant clarity and uncolored realism Well-tempered polar pattern with outstanding rejection qualities Superior anti-shock engineering ensures low handling noise and quiet performance Excellent protection against plosives and sibilance without compromising high-frequency clarity Robust design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad

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Large diaphragm for exceptional detail and low noise High max SPL, wide dynamic range and optimized output level provide unmatched versatility Low self-noise (12 dB SPL) – perfectly suited for today's most sophisticated digital recording equipment Extended low-frequency response for rich, full sound Custom shock mount provides superior isolation Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad

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Warm classic tube sound No dedicated power supply or special cable needed; operates exclusively on 48V DC phantom power Large-diaphragm cardioid condenser element provides high sensitivity and smooth sound reproduction with low noise levels Hand-selected tubes are individually tested and aged to maintain peak performance Shock-mounted tube assembly dampens mechanically-coupled vibrations Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Large coupling transformer provides superior low-frequency linearity State-of-the-art design and manufacturing techniques ensure compliance with A-T's stringent consistency and reliability standards Includes AT8458 shock mount and protective pouch

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Technically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics Externally polarized (DC bias) true condenser design Exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80 Hz hi-pass filter and 10 dB pad Inc

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Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest quality Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of use Three switchable polar patterns: omni, cardioid, figure-of-eight Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80 Hz hi-pas

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A strong up-front presence characterizes the sonic signature of this versatile pro-audio classic Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity The 2-micron-thick, vapor-deposited gold diaphragm undergoes a five-step aging process so that the optimum characteristics achieved remain constant over years of use Floating-construction capsule assembly provides isolation from noise and vibration Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T's stringent

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Outstanding performance and versatility High max SPL and wide dynamic range Low self-noise (16 dB SPL) – perfectly suited for today's most sophisticated digital recording equipment Flat, extended frequency response Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad

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Outstanding performance and versatility High max SPL and wide dynamic range Low self-noise (16 dB SPL) – perfectly suited for today's most sophisticated digital recording equipment Flat, extended frequency response Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad

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Recommended for professional recording and critical applications in broadcast Direct-coupled, balanced output ensures a clean signal even in high-output conditions Exceptionally low self-noise, very high output and fast transient response Accepts optional interchangeable capsules: AT4051a-EL (cardioid) and AT4053a-EL (hypercardioid) Switchable 80 Hz hi-pass filter Turned-brass microphone housing with black chrome plating The AT4049a consists of two modular subassemblies: an AT4900a-48 body and an AT4049a-EL head capsule (both available separately).

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Recommended for professional recording and critical applications in broadcast Direct-coupled, balanced output ensures a clean signal even in high-output conditions Exceptionally low self-noise, very high output and fast transient response Accepts optional interchangeable capsules: AT4049a-EL (omnidirectional) and AT4053a-EL (hypercardioid) Switchable 80 Hz hi-pass filter Turned-brass microphone housing with black chrome plating The AT4051a consists of two modular subassemblies: an AT4900a-48 body and an AT4051a-EL head capsule (both available separately).

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Recommended for professional recording and critical applications in broadcast Direct-coupled, balanced output ensures a clean signal even in high-output conditions Exceptionally low self-noise, very high output and fast transient response Accepts optional interchangeable capsules: AT4049a-EL (omnidirectional) and AT4051a-EL (cardioid) Switchable 80 Hz hi-pass filter Turned-brass microphone housing with black chrome plating The AT4053a consists of two modular subassemblies: an AT4900a-48 body and an AT4053a-EL head capsule (both available separately).

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The ultimate kick-drum mic Revolutionary dual-element design represents a ground-breaking transducer achievement Two elements (condenser and dynamic) are enclosed in a single housing Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones Robust design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad on condenser element Includes a 16.5' (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors) for separate control over each element

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The ultimate kick-drum mic Revolutionary dual-element design represents a ground-breaking transducer achievement Two elements (condenser and dynamic) are enclosed in a single housing Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones Robust design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad on condenser element Includes a 16.5' (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors) for separate control over each element

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Ideal for group vocals, strings, cymbal overheads, acoustic guitar and piano Omni pattern provides maximum ambient pickup Extremely smooth, extended response on- and off-axis Low sensitivity to popping and overload Operates on battery or phantom power

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Ideal for close-up vocals, overheads, piano and strings Sound is similar to far more expensive studio microphones Low-mass diaphragm ensures minimum distortion Cardioid pattern provides added warmth when used close up Operates on battery or phantom power

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Ideal for acoustic guitar, percussion, overheads, vocals and more Excels in both studio and stage applications Outstanding linearity both on- and off-axis Features high SPL capability and wide frequency response Operates on battery or phantom power

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Ideal for drummers, keyboard players or anyone requiring hands-free operation Comfortable, unobtrusive headband design with side-of-mouth pickup Belt-mounted power module operates on battery or phantom power 3' (0.9 m) cable permanently attached between microphone and power module Also available as: ATM73ac -- less power module; 55" (1.4 m) cable, unterminated; ATM73cW -- less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

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Ideal for kick drum, toms, and other highly dynamic instruments Handles very high SPL at close range Big, warm low-frequency response with excellent presence Multi-level grille and rugged construction Offers very full sound on close-up vocals and dialogue

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Ideal for musical instrument pickup and general use Hi-ENERGY® neodymium element Fast transient response and clean high-frequency response Double-isolated element assures low mechanical noise Superior internal shock mounting reduces handling noise

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Clips to brass, reeds, piano, acoustic bass, snare and toms Crisp, clear, well-balanced response, even at high SPLs Interchangeable elements available for cardioid, subcardioid and omni polar patterns UniMount® clip permits accurate positioning while protecting element Operates on battery or phantom power 25' (7.6 m) cable permanently attached to mic, TA3F connector at power module Also available as: ATM35cW -- less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

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Professional-quality vocal pickup with hands-free operation Low-visibility headband provides stable, comfortable fit Pivot-mounted flexible mic boom descends from left or right side Belt-mounted power module operates on battery or phantom power 55" (1.4 m) cable permanently attached between microphone and power module Also available as: ATM75c -- less power module; 7.2' (2.2 m) cable, unterminated; Wiring info (pdf - 67KB) ATM75cW -- less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

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Ideal for drummers, keyboard players or anyone requiring hands-free operation Comfortable, unobtrusive headband design with side-of-mouth pickup Belt-mounted power module operates on battery or phantom power 3' (0.9 m) cable permanently attached between microphone and power module Also available as: ATM73ac -- less power module; 55" (1.4 m) cable, unterminated ATM73cW -- less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

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Ideal for snare drum, floor and rack toms, guitar cabinets and piano Hi-ENERGY® neodymium element Low-profile design permits versatile placement around drum kit High output, high SPL and low noise Extremely rugged all-metal housing

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Introductory studio-quality microphone—the clear price/performance leader Condenser design for studio-quality vocal and instrument applications Extended response for smooth, natural sonic characteristics Rugged all-metal construction and on/off switch Soft-touch finish for a secure, comfortable grip and reduced mechanical noise Battery/phantom operation for maximum versatility Corrosion-resistant contacts from gold-plated XLRM-type connectors 15' cable included with MB 4k/c 5-year warranty

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Introductory studio-quality microphone—the clear price/performance leader Condenser design for studio-quality vocal and instrument applications Extended response for smooth, natural sonic characteristics Rugged all-metal construction and on/off switch Soft-touch finish for a secure, comfortable grip and reduced mechanical noise Battery/phantom operation for maximum versatility Corrosion-resistant contacts from gold-plated XLRM-type connectors 15' cable included with MB 4k/c 5-year warranty

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Professional performance for studio recording and live sound reinforcement Low-mass element for superb transient response Excels in high-SPL applications Low-profile design for optimal mic placement Corrosion-resistant contacts from gold-plated XLRM-type connector Rugged design and construction for reliable performance Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

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Designed for critical long-distance pickup in broadcasting, film/TV production, and theater sound reinforcement applications Direct-coupled, balanced output ensures a clean signal even in high-output conditions Exclusive acoustic design provides same directivity as mics up to 50% longer Switchable 150 Hz hi-pass filter Rugged housing made of lightweight structural-grade aluminum alloy

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Designed for critical long-distance pickup in broadcasting, film/TV production and theater sound reinforcement applications Direct-coupled, balanced output ensures a clean signal even in high-output conditions Exclusive acoustic design* provides same directivity as mics up to 50% longer Switchable 150 Hz hi-pass filter Rugged housing made of lightweight structural-grade aluminum alloy

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Transformer-coupled output and specially-tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs Exceptionally low self-noise, wide dynamic range and high SPL capability Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity Vintage silver-matte finish on microphone and shock mount Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80 Hz hi-pass filter and 10 dB pa

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Highly intelligible individual voice reproduction designed for professional quality vocal pickup with hands-free operation Ideal for guitarists, keyboard players, drummers and others who need the use of their hands during performance Low-visibility headband and cushioned support pads provide a stable, comfortable fit Pivot-mounted flexible mic boom descends from left or right side Hypercardioid polar pattern improves isolation of desired sound source Hi-ENERGY® neodymium element for articulate vocal reproduction 7.2' (2.2 m) cable permanently attached between microphone and XLRM-type connector Also available as: PRO 8HEcW -- 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems; Wiring info (pdf - 67KB)

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Highly intelligible individual voice reproduction designed for professional quality vocal pickup with hands-free operation Ideal for guitarists, keyboard players, drummers and others who need the use of their hands during performance Low-visibility headband and cushioned support pads provide a stable, comfortable fit Pivot-mounted flexible mic boom descends from left or right side Hypercardioid polar pattern improves isolation of desired sound source Hi-ENERGY® neodymium element for articulate vocal reproduction 7.2' (2.2 m) cable permanently attached between microphone and XLRM-type connector Also available as: PRO 8HEcW -- 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

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VHF TwinMic system with battery-powered receiver and transmitter

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Body-pack System

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Plug-on System

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The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings. The Gold Reference Series employ our own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter) which are executed to precise tolerances made possible by modern micro-milling machinery available today in California. The capsule rings and back-plates are milled from solid brass. The gold diaphragm film comes from Germany and is tensioned using proprietary techniques by David Josephson ensuring capsule-to-capsule constancy, combined with the speed, "air", and superb ultra-high frequency response you have only dreamt about.

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The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings. The Gold Reference Series employ our own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter) which are executed to precise tolerances made possible by modern micro-milling machinery available today in California.

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The Aries is a professional condenser microphone designed specifically to capture live vocals with the highest quality. While condenser microphones offer much better responsiveness than dynamic mics, they are usually confined to the studio because their sonic sensitivity is accompanied by handling sensitivity.

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Multi-Pattern Large Diaphragm Vacuum Tube Condenser Microphone

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Frequency Response: 20Hz-20KHz, Sensitivity: 2 mV/Pa at 1 HZ into 1 Kohm, Impedance: ≤ 200 Ohms

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The sE4 replaces the sE3. The mic is a remodelled sE3, designed to sound and perform exactly the same, and with very similar styling, but with one key new feature. The chassis has been re-engineered to accept 2 additional interchangeable capsules, a Hypercardioid and an Omni.

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The GM10 guitar mic is a unique new addition to the sE range, designed to solve an age old problem in micing acoustic guitars for studio recordings.

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The 4400a is the latest in a lineage of mics started 6 years ago with our sE2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a rarity… a true all-rounder.

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The sE2200a II Multi-Pattern microphone is the latest in sE Electronics’ lineage of sE2200 condenser mics dating back to the year 2000

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Whether you’re recording lead vocals, acoustic guitar, strings, percussion or any other source instruments, we believe the sE X1 microphone outperforms every mic in its price class.

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Building on the incredibly popular SE1, the SE1a retains the same capsule but mates this with even quieter electronics, all housed in a very sexy new look body. This end fire small diaphragm microphone really is astonishing value for money. Great for drums, pianos, acoustic and amplified instruments the SE1a is a must have for any size studio.

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The SE3 builds on the popular sound of the SE1a and SE2 and offers both a low cut filter and 10dB pad as well as superior electronics and body shell. The SE3 package comes with a robust shockmount and is SE Electronics' top of the range pencil microphone.

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The brand new Icis valve tube condenser is stunning. Stunning looks, stunning design, stunning sound, and at a stunning price. Sharing the same large 1.07” gold Edge Mount diaphragm as the Z5600 with a fixed cardioid pattern, everything about the ICIS is designed to capture the warmest most detailed vocal take imaginable. Coupled with absolutely beautiful looks that will inspire any singer the ICIS valve microphone may just be the most important mic in your studio

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USX-800 Wireless Microphone System is a competitively priced, "True-Diversity" wireless system incorporating the latest advances in wireless microphone technology. The USX800-HC condenser version features an electret condenser capsule to provide smooth response and exceptional clarity - perfect for clear, crisp vocal projection. This model also has a dual wind shield to reduce proximity effect.

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Set od 7 mikrofona za ozvučavanje bubnja

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The new DM6.0 dynamic moving coil microphone is designed to handle a wide variety of vocal and instrument applications for both live sound and recording. The DM6.0 is engineered to handle very high source level without distortion. It provides over 26dB of off axis feedback rejection. The DM6.0 is extremely sensitive as it employs a tight Supercardioid pickup pattern to reduce feedback and provides over 26dB of off axis feedback rejection. Its linear frequency response of 50Hz-16kHz especially shaped for instrumental / vocal performance. It is also designed to withstand high sound pressure levels.

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The DM4.0 is a dynamic moving coil microphone designed to handle a wide variety of vocal and instrument applications for both live sound and recording. This microphone is also available with an integral on/off switch (model DM4.0S).

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The DM4.0 is a dynamic moving coil microphone designed to handle a wide variety of vocal and instrument applications for both live sound and recording. This microphone is also available with an integral on/off switch (model DM4.0S). The DM4.0 and DM4.0S are available either as a single mic, or as a pack of three microphones.

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3 x DM-2.0 microphones with stand adapter packed in a plastic box, Unidirectional dynamic microphone, zinc alloy body, gold-plated XLR connector, pop filter, Dent-resistant spring-steel grille, Neodynium magnet for high output and low distortion.

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3 x DM-2.0S (with ON/OFF switch) microphones with stand adapter packed in a plastic box, Unidirectional dynamic microphone, zinc alloy body, gold-plated XLR connector, pop filter, Dent-resistant spring-steel grille, Neodynium magnet for high output and low distortion.

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DM-2.0 microphone with stand adapter packed in a plastic box, Unidirectional dynamic microphone, zinc alloy body, gold-plated XLR connector, pop filter, Dent-resistant spring-steel grille, Neodynium magnet for high output and low distortion.

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DM-2.0S (with ON/OFF switch) microphone with stand adapter packed in a plastic box, Unidirectional dynamic microphone, zinc alloy body, gold-plated XLR connector, pop filter, Dent-resistant spring-steel grille, Neodynium magnet for high output and low distortion.