The ultimate kick-drum mic Revolutionary dual-element design represents a ground-breaking transducer achievement Two elements (condenser and dynamic) are enclosed in a single housing Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones Robust design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad on condenser element Includes a 16.5' (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors) for separate control over each element
Supreme performance at extreme SPLs Excels in high-SPL applications such as guitar cabinets, toms, snare, timpani and overheads Large-diaphragm capsule combines with the open architecture of the headcase to provide an extremely accurate and open sound Low-profile side-address design with tapered grille allows optimal positioning of element vis-à-vis sound source Robust design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad
Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments Large-diaphragm capsule delivers accurate and natural response Low-profile design permits innovative placement options previously unattainable with a large-diaphragm condenser Robust design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad
Smooth, extended frequency response with a slight rise occurring in the high-frequency region Ideal for drum overheads, acoustic guitar, piano, horns and under snare Low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients State-of-the-art design and manufacturing techniques ensure compliance with A-T's stringent consistency and reliability standards Switchable hi-pass filter and rugged turned-brass microphone housing
Ideal for snare drum, floor and rack toms, guitar cabinets and piano Hi-ENERGY® neodymium element Low-profile design permits versatile placement around drum kit High output, high SPL and low noise Extremely rugged all-metal housing
Ideal for acoustic guitar, percussion, overheads, vocals and more Excels in both studio and stage applications Outstanding linearity both on- and off-axis Features high SPL capability and wide frequency response Operates on battery or phantom power
Ideal for drummers, keyboard players or anyone requiring hands-free operation Comfortable, unobtrusive headband design with side-of-mouth pickup Belt-mounted power module operates on battery or phantom power 3' (0.9 m) cable permanently attached between microphone and power module Also available as: ATM73ac -- less power module; 55" (1.4 m) cable, unterminated ATM73cW -- less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems
Smart-priced introductory microphone for amplified and acoustic instruments Tailored frequency response for optimal instrument reproduction Unidirectional dynamic element design Rugged all-metal construction Hi-ENERGY® neodymium magnet for improved output and transient response Soft-touch finish reduces mechanical noise Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant contacts from gold-plated XLRM-type connectors 15' cable included with MB 2k/c 5-year warranty
A natural in high-SPL applications, the PRO 25ax is tailored for kick drum, percussion, brass and other highly dynamic instruments Delivers a warm low-frequency response with excellent presence Hypercardioid polar pattern improves isolation of desired sound source Superior off-axis rejection for maximum gain before feedback Versatile mounting options and effective dampening of mechanical noise thanks to included AT8471 isolation clamp Rugged design and construction for reliable performance
Designed for sax, toms, brass and percussion, the PRO 35ax excels in high-SPL applications and is ideal for active stage performances UniMount® clip permits accurate positioning, provides shock resistance and protects element Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Extended frequency response captures subtle nuances of the performance 6' (1.8 m) cable permanently attached between microphone and power module
Professional performance for studio recording and live sound reinforcement Low-mass element for superb transient response Excels in high-SPL applications Low-profile design for optimal mic placement Corrosion-resistant contacts from gold-plated XLRM-type connector Rugged design and construction for reliable performance Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
custom-engineered cardioid dynamic drum microphone Road-ready all-metal construction Low-profile percussion-style design Built-in adjustable stand mount
Dynamic Supercardioid Vocal Microphone Package
Supercardioid Vocal Microphone Package
The DM4.0 is a dynamic moving coil microphone designed to handle a wide variety of vocal and instrument applications for both live sound and recording. This microphone is also available with an integral on/off switch (model DM4.0S).
The DM4.0 is a dynamic moving coil microphone designed to handle a wide variety of vocal and instrument applications for both live sound and recording. This microphone is also available with an integral on/off switch (model DM4.0S). The DM4.0 and DM4.0S are available either as a single mic, or as a pack of three microphones.
The new DM6.0 dynamic moving coil microphone is designed to handle a wide variety of vocal and instrument applications for both live sound and recording. The DM6.0 is engineered to handle very high source level without distortion. It provides over 26dB of off axis feedback rejection. The DM6.0 is extremely sensitive as it employs a tight Supercardioid pickup pattern to reduce feedback and provides over 26dB of off axis feedback rejection. Its linear frequency response of 50Hz-16kHz especially shaped for instrumental / vocal performance. It is also designed to withstand high sound pressure levels.
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